Philadelphia architectural photography, Philadelphia, Photographer, Michael Albany, interior,




  1. a particular attitude toward or way of regarding something; a point of view
  2. true understanding of the relative importance of things; a sense of proportion

In any given project we can see the positives and the difficulties. The differences between those that succeed and those that fail is how we translate them. A pessimist sees difficulty in every opportunity yet an optimist sees opportunity in every difficulty.  It’s just a matter of perspective.

Not long ago I was sent on a job to shoot a recently completed rehabilitation center. The marketing director wanted an image of the front of the building showing the grand entrance way and the wonderful design of the new building.  After driving the 4 hours to the job site, I arrived to see that the old building was still intact and in fact occupied as the residents had not yet moved into the new building. Until the moving was complete the old structure obviously had to remain. Normally that would be too much of a problem. I could take a selective angle and shoot what I can and work with what I had. In this case however, the old building was only 24 inches from the new, not yet completed, entryway.


Even with my widest angle lens 24 inches is a bit tight. My assistant for the day was saying that we should just drive the 4 hours back and then return to reshoot when the building was occupied. Being the stubborn person my wife says I am, I wanted to see what we could shoot.


Once we were able to find the site foreman, we gained access to the building. Inside the space was technically completed. Although the furniture had been delivered, unless it actually needed to be installed, it was not even unpacked. The floors had not yet been cleaned from the construction phase and the place was still a bit messy. My creative mind went nuts!

Suddenly I saw opportunity all over the place. Here was an interior that was not setup as the designers and architects had planned, the place is basically a mess and I was lucky if I could even find a lamp among all the boxes. A clean creative canvas!  I got to shoot what I wanted and not just what I found.


I couldn’t actually shoot the entrance as requested as there wasn’t even a door there let alone anything “grand”.  However as we walked the floors I found that there was furniture for the dining area and for most of the common areas too.  I asked the site foreman for a broom and a box cutter and we went to work.


Out of nothing came something. We were able to create images that so impressed the client that they submitted them as examples of their project for a state recognized award.


My assistant that day was ready to pack it in and call it a day. I on the other hand wanted to see the opportunities at hand. By doing so we were able to complete the job and do it in a way that thrilled my client.


It’s all just a matter of pərˈspektiv.

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