OMG What a Month!

First let me apologize for not writing sooner. It has been whirlwind of a month! Two trips to New York and a complete computer system switch all in about 3 weeks!

Yes you read that right, a complete computer switch. The terminal PC guy has switched to the dark (well, white and silver actually) side; I am 100% Apple and the Windows machines have been retired. Before you ask, no I am not switching from Nikon! I’m not that crazy. The computer switch was fairly easy, not seamless and not as smooth as I had hoped, but so far it is working out well and all my devices actually communicate with each other. Weird huh?

Something tells me that you are not reading this to know about my computer woes however. Perhaps it has something to do with images? You know that photography thing. Well that part of my life has been busy too! Very busy in fact.

I have been working with a couple of non-profit organizations on a calendar project and 6 images of mine will be in the calendar! More details on that in the next post that should come out about the same time as the calendar itself. Because of that project though, I got a second great project.

The Art Director of The Calendar Project happens to work for two amazing musicians and they needed images for their new albums that are coming out soon. I have no idea who they could get to shoot that. Oh wait, I could do that! Last Friday not only did we shoot, we did a fantastic shoot!

Josh Nelson and Neshama (pronounced NEH SHAH MAH) Carlebach are two talented artists that do “New. Jewish. Rock.” as Josh puts it. I have to be honest, if I hadn’t met Josh and Neshama I wouldn’t know about this type of music, I can say however that it is fantastic and you all should take a listen. These two take the music to a new level and they are raising the bar for everyone, not just Jewish Rock artists but all musicians. You can check out Neshama and Josh’s work on their sites www.neshamacarlebach.com and www.joshnelsonproject.com but keep in mind the new stuff isn’t out yet!

I am so excited about the images that we created that I am giving you sneak peaks. These aren’t the final images, these are just the beginnings and the final edited images will be on the new CDs they are releasing soon.

Josh was right when he asked, “Doesn’t it feel good to just let go and be creative?” Yes Josh it certainly does, and this is the next shot we got of him right after he said it.

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Josh Nelson

However, my favorite shots of the day came shortly before that when Neshama and I were working on a concept I had that, for me, just screams “vocals!” In this image you can see Neshama’s passion for her music. The music on her upcoming CD is actually her father’s music and perhaps that is why it means so much to her. It certainly came through in this image.

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Neshama Carlebach

We had a great day shooting and even when the day was ending, the creativity wasn’t. We had to step outside and get another set that included the light from the sun setting over New York.

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Josh and Neshema – The Streets of Brooklyn

We even went back in and did a few more after this one. The shoot was much like their music. No matter how good it is, you just never want it to end.

 

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Photographing a Story

In my last post Endless Possibilities, I showed how photography can be used in unique ways to market your message. The images were used to market the buildings and architecture for Aimco Apartment Communities. But how do you tell a story with images?

Stories have at least four parts: a beginning or introduction, the middle or the ‘story’, the climax when it all comes together, and the end, the wrap up. The ending can even be the climax if you want to leave the reader hanging and wanting more. Advertising is like a story without the end; you want to leave your customer to want more. If the story is a good one then the customer will then contact you about the ‘more.’

Another company that I work with is How Properties and they also develop apartment communities. However, rather than build apartment building from the ground up they renovate existing buildings in the Philadelphia area and turn them into beautiful modern apartments that people yearn to live in. These buildings have history and they have had at least one story told in them from beginning to end. How Properties gives them new life and starts a new story.

So How (pun intended) to tell that story? After all this is more a sequel than a new novel. First you have to know the history and you need to convey that to the reader, or in this case the renter. The chances are that a true documentation of the old building isn’t very complete but enough is known to portray the buildings first (or second) life. That is when the new story begins and that is where I come in.

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1226 Mt. Vernon – Office

The images here are images of a building in Philadelphia that was once a trolley repair/assembly station. It was then converted into a body shop for cars and trucks. The building’s future is to be rental homes.

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1226 Mt. Vernon – “Main Street”

In the center there will be a main “street” or common access space that leads to the multi-level interior apartments. This is planned to be the hub of the building and create a mini community in and of itself.

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1226 Mt. Vernon – Exterior

Here we have laid the ground work for our story of this building. What will it look like? This story has just begun; you will have to come back after I photograph the finished project to see what happens. After all, it is a mystery.

 

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Endless Possibilities

I can’t believe that it was a month ago today that I posted about the three women that “(We)All Have a Star Inside,” It seems like yesterday and at the same time it seems like forever. In that post I mentioned the masters and their approach to photography. I love studying and attempting to recreate those old, classic styles but I also like the things you can do with images today. I have so many more tools than the masters had but one thing that we have in common is mastering the light.

Light is the constant whether it is light we control or light we wait for. The day I shot the three ‘stars’ I was manipulating the light and I was the one in control. To be honest the reason was because I was actually testing, and getting comfortable with a piece of equipment that I needed for a shoot that would take place over the next couple of days. The difference was that at this second shoot I didn’t have control over the light. Mother Nature was in control and I had to know this new camera, a Hasselblad HD4, really, really well.

The masters never had the benefit of a this type of medium format camera and most often they shot with what is called a large format camera: the kind with the hood and giant film plates you see in old movies. They certainly didn’t have the advantages of digital cameras, and they had only a limited amount of things that they can actually print their images on.

Today we can get our images printed on so many different types of materials that the possibilities of what we can do with these images is nearly endless. The goal of the project I was working on was to print images large and realistic enough to almost feel like you could walk right into them. In fact, two of the images I delivered were for exactly that: to walk into… into an elevator that is.

The images are being applied to elevator doors at the corporate headquarters of Aimco in Denver, CO to show a few of their locations throughout the country. What better opportunity show their properties than while someone is waiting for the elevator! Here are couple of the images I created for them.

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The Sterling – Philadelphia PA

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Riverloft Lobby – Philadelphia PA

If I do say so myself the whole concept came together rather well and the end result is now on the elevator doors in Aimco’s corporate offices in Denver Colorado. The image below was sent to me by Holly Schnitzler shortly after the installation. Thank you Holly!

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Riverloft Lobby on Elevator Doors in Denver

This was a great and unique approach to showing off the properties to visitors and it allows everyone to remember that what they do every day doesn’t end at their office but reaches out to other cities all over the country.

 

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The Good, the Bad, and the Beautiful

It’s been a heck of a summer; the good the bad and the beautiful.

As you know by a recent post I lost my mother at the beginning of the summer. This week we had to have our cat put down too. Too much death this summer but isn’t there always. Keeping the memories is the important part now, not that the internet needs anymore cat pictures. All this definitely takes care of the “Bad.”

On to the good and the beautiful!

Just two weeks ago I had the opportunity to photograph a wonderful home going up for sale in Phoenixville PA.

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189 Pembrooke Circle

This home was amazing; the in-law suite in the basement was bigger than my place! And it has a fireplace – I don’t have one. The people selling are downsizing and retiring to Florida. I have no idea how they can leave such a colorful, beautiful home. Thank you Chris Smith for introducing me to your clients and allowing me to photograph this wonderful home. To see more of this amazing home click here.

Shooting this home was good, now to the beautiful.

Last week I got a call from a fellow photographer Theresa Rivers, who asked if I would help her learn some of the techniques I use for lighting portraits. She had already set up the studio, the models were scheduled and all I had to do was show up. OK, I can do that!

Everyone was super professional, super excited to be working together and we had a great time!

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Star & Mzseduction

The models, Star (left) and Mzseduction, were the perfect balance of fun and professional. We had a great afternoon and here you can see Theresa trying out one of the techniques I showed her.

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Ms. Theresa testing her new knowledge

Jahi of Intricate Photography lent us his studio I had no idea of how comfortable it would be but it was well equipped, comfortable, and had just the right lighting to produce images that will be added to my portfolio.

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Mzseduction all inked up

Today I will be shooting Mzseduction again in my home studio and I hope to have some of those images up for you all to see soon. It certainly has been a busy and interesting summer and it’s not over yet! If you haven’t done it yet, get out and make some memories and make them the Good and Beautiful kind!

 

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Moving Forward

Needless to say that if you read my last post that the month of June sucked. Dealing with the death of a parent is not an easy task. If you have lost a parent then I feel your pain and if you still have your parents then tell them you love them even if you are arguing with them. You never know when the last conversation is going to be.

Our parents always want the best for us and that was true of my mother as well. When I first told her that I was leaving the corporate world to take my photography business full time she outright said, “Are you crazy!? You have a good job and are making good money.” I explained to her that money isn’t everything and that it would mean nothing if the stress of doing something that though I was very good at it, made me miserable.

In time she came to accept that I was a pretty good photographer and a good businessman as well; perhaps this wasn’t such a bad idea. After all the creative gene came from her. My mother was a painter and poet and she was more popular than she even knew. When we went to empty her apartment almost everyone that knew her asked if they could have a painting of hers. I on the other hand can’t draw a stick figure and make it represent anything I intend it to. Although I love all kinds of art, my father’s photographer gene joined with my mother’s creative one and I am the result.

Another thing my mother insisted upon was never sitting still; don’t wait for things to happen, make them happen. Also known as get off your butt and do it!  I can still hear her telling me that being bored was “a sign of an empty mind” and that I had to pursue things not be pursued by them. Of course that is why I was a bit surprised when she thought I should stay in the corporate world.

Although I would love to strictly do fine art photography, photography of any kind is my passion. When my mother learned that I would be showing my work at a library near her home in Delaware County Pennsylvania she was excited and was looking very much forward to seeing her son’s work displayed to the public, especially the public she knew personally.

webposterWhen my mother died unexpectedly on the 30th of May I wasn’t even thinking of the upcoming show. All I could think about was how much it hurt to lose her. After the funeral and the packing up of her belongings I remembered about the show and was considering politely backing out. About then is when I heard her in my head saying, “Are you crazy!?” She wouldn’t have let me feel pity for myself, she would have insisted that I move forward and not stop just because she went and died. Sure I can feel my sorrow and sure it hurts but keep moving while you do so, never stop pursuing the goal.

Starting yesterday some examples of my work are now hanging in the Newtown Public Library, Newtown Square, PA and on July 10th I will be the guest of honor at “An Evening with the Artist” at 7pm. The details are on Facebook.

I wanted to take a moment to invite all my readers to join me on the 10th or at least to stop by the library to visit and see my work. Help me to continue moving forward and let’s pack the house.

Details and to RSVP (not required) are here: An Evening with the Photographer, Michael Albany! And do me a favor, invite your friends!

 

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Photography is Communication

Here we go again. Marissa Mayer states, “There’s no such thing as Flickr Pro today because [with so many people taking photographs] there’s really no such thing as professional photographers anymore.” Now here comes  the (getting) old argument of “with the technology today anyone can be a professional photographer.”

Well, certainly it seems like everyone is trying to be one. I have more competitors bidding every job I go after. I have lost clients to these so called professionals that will shoot for less than what it costs to replace their equipment. I even know some of the best photographers in the country, possibly the world, that have lost work to their client’s nephew. In that case the nephew keeps asking how to work the equipment!

The issue is that everybody is trying to save money these days. Moms and dads are buying less for their kids and young people are in debt up to their eyeballs in student loans. Politicians are swearing that you have to cut costs to make greater revenue.

A CEO said to me a long time ago that he “could cut costs all day long, but that doesn’t bring more money in the door.” He was right.

Many of those clients that decided to go with the Faux Pro as I like to call them, have come back to me asking what I can do to help them get better images for their marketing. My clients know what it takes to bring that money in the door. It’s called quality.

Quality doesn’t end when you get good images, it does start there either. Quality images are only a part of the process, a long process.

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Joe Grier – JMG Media

In the days before all of this Faux Pro, price cutting, hiring the nephew, cut out the photographer stuff, all I had to do was deliver quality images. Now I have to do a lot more than that. Today I have to deliver quality images after I talk to you, learn what your pains are, and find ways that my work can ease those pains. Then I have to show you how I can help, talk to you about how I am going to help and then, maybe you will hire me to help you take your work to the next level. In short, I have to communicate to you the value of using me.

That’s right, communication. Communication is what it is all about; it is what everything is about. If I communicate to you how I can help, the chances are you’re going to let me. After I’m done you are going to use my work to communicate your message to your client, customer, or just your loved one. I am only the translator of your message.

So if communication is so important, possibly more important than the images themselves, why not hire some faux pro you can talk to? Perhaps because that person can’t communicate with you on the level you need, perhaps they can’t communicate the message you want to send. Maybe, just maybe they can. But do you want to spend your money on “maybes”?

I will tell you right here and right now that you can spend less on a faux pro than you will when you hire me. You may get lucky and you may get the images you want, you may not. If you don’t you are going to come to me and ask me to fix what is wrong. When you do you are going to pay me what you could have paid me in the beginning, maybe even more.

Or you can communicate with me before hand, you can be confident that before I ever even take the camera out of my bag I know what your message is, I will know what you want and you will know that a professional is going to do their best to help you communicate your message.

Maybe Ms. Mayer should have hired a pro to help deliver her message.

 

Note: Someone asked “why the image of Joe Grier on this article?” Well its simple really, if you click on the image you won’t get the usual link to a larger picture. Joe is larger than life anyway. Instead you will be taken to his website for JMG Media. What does JMG do? They help you communicate with your audience.

Outlawing Photography

What is going on in the world today? In the last 2 months I have seen two bills proposed in two states that could seriously outlaw photography. This is ridiculous!

The first bill that I learned about is New Hampshire HB 619-FN that states, “This bill prohibits images of a person’s residence to be taken from the air by a satellite, drone, or any device not supported by the ground.” Here is the bill as introduced. I know a number of photographers that make their living in just this manner.

The bill in NH was just written in a very vague manner and the representative was very receptive to a colleague of mine that chatted with him via text. Jim Cavanaugh, a former national president of American Society of Media Photographers (ASMP) spoke to Representative Kurk the author of the bill saying this bill may “prevent many businesses from obtaining aerial photographs that they routinely use in their businesses. This may be construction documentation, road planning, news gathering, urban planning, images for companies’ marketing use, crowd estimation, environmental documentation, airport planning, wetland conservation, tourism and many others.” Representative Kurk said he would revise the language to resolve the issues Jim mentioned.

The problem is that it isn’t the only legislation being introduced.

FelonyPhotoYesterday I was reading my local news source and came across new legislation proposed in Pennsylvania that would make photographing a farm a felony offense. A felony!? Really? State House Representative Haluska (R-Cambria County) put forth a proposal that would make it a felony to take photos or record video or audio. I’m sorry but for me, this is just a bit of overkill and a true example of over legislation.

In New Hampshire the bill proposed had limited scope in that it would most likely only effect professionals. Rep. Haluska’s proposal would affect enthusiasts, real estate photographers, nature photographers, aerial photographers, and just about anyone that wanted to just capture an image of a beautiful landscape. The effect on tourism alone could be devastating!

Haluska stated that the idea for his proposal came from farmers in his district who are afraid of people trying to photograph or record farm operations and show them in a less than flattering way. He was quoted on NewsWorks.org (full article) as saying, “Sometimes you can take some things out of context, if you have a sick animal or something or if you have to (kill) an animal, which is just a normal part of doing business in the farming community, and sometimes it gets trumped up.”

Below is what I wrote to Rep. Haluska (and CC’d my local representative, Rosita C. Youngblood of Philadelphia. Neither has yet to reply.

Dear Representative Haluska,

Your proposed bill that would ban the photographing of farms is a dangerous bill. First of all how often does a tourist or day tripper actually take a Photo of farm where something that can be misconstrued actually happen? Yes farmers have to kill animals. Yes some things that happen on farms on a daily basis are unpleasant for people that don’t have a history of country living and understand the nature of how food gets to their grocery store. But is hiding that a good idea? I think not.

Don’t let my Philadelphia address fool you, I was born and raised in Delaware county when it was considered the boonies. My home town wasn’t on the map until the early 80s. But my knowledge of farming is not why I am writing.

I am now an architectural photographer and a good portion of my business is aerial photography of farms that are being considered for development as well as the completed projects.

The bill you have proposed will make it a felony for me to take those photos. That will stop me from renting planes, hiring pilots, and hinder the construction companies from developing the lands. This will then cut the potential for new jobs in the commonwealth and put us behind other states that don’t have such laws. The ripples of your proposal will go much farther than I believe you anticipate, and in my opinion, will do much more harm than any good, not to mention what it will do for my own income.

What you are proposing is to make a felony for someone’s curiosity, and subsequently their ignorance, about the “idealistic farm life” they believe our hard working farmers have. This law is trying to outlaw ignorance. If ignorance were a felony, most of Washington would be in jail.

Representative, please withdraw your proposal. Rethink your goals and why you proposed it in the first place and lets educate people about farm life, not outlaw the observation of the reality of it.

Sincerely,

Michael Albany

To me making any type of photography a felony is well, a felony! Keep an eye open in your area and make sure that legislation against photography isn’t pending. If you hear of something, write your representatives and call everyone you know and have them write them too! If you don’t you may be hearing the click of hand cuffs right after the click of that shutter.

 

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Your Profile image. Really?

Tom_Nason_2013-Web-002I am very active on LinkedIn and I manage a couple of groups for photographers. Recently I got fed up with all the bad profile images out there even from those photographers! I have written about this before in “Has your company lost its face?”  After seeing all the bad profile images and having written about it before I decided to post the following:

I am a manager of a couple different photography groups here on LinkedIn and I look at roughly 50-75 profiles a day. I am shocked at the images on people’s profiles. I understand the person who is looking for a receptionist’s position or an accountant that has an image taken with a cell phone or a webcam. Now when I say I understand it, that doesn’t mean I approve of it. I think it’s horrible and a really bad way to present yourself to potential clients or employers.

But when I see people who call themselves professional photographers with really bad profile images, or none at all, do you really think I would hire you to take images for me? Really? Think again.

When I look at bad profile images I really have to think “does this person really know how to capture an image”? I don’t care that they are a nature photographer, for heaven’s sake there is a timer on that thing isn’t there? Learn to use it and go stand next to a bear or something. Do you know another photographer? Trade portrait shots!

If you want to be a professional image creator start with creating a good image of yourself.

sydni-web-035Well that created the proverbial sh*t storm!  Most photographers agree with me that a good profile image is essential to putting forth your best first impression. As a portrait photographer I am a bit biased, but I do believe in having a good (preferably) professional image on all your social media.

Some of the photographers on LinkedIn spoke of how some of their clients have compared a photo session to going to the dentist. I hope that my clients feel better than that when they leave! Sure the majority of people hate having their picture taken. My wife for example can’t stand it but at the same time she has posed for me many times and even she has been impressed with the results.

 

The reason my clients go away happy is because I do my best to make it fun. I want my clients to relax and I think I achieve that. I will do anything I can to help you relax when you have your portrait taken. If that means we bring in a makeup artist and a hair stylist to pamper you, no problem I can do that. I have even gone so far as to have a massage therapist on hand to relax my clients. If that is what it takes then that is what I shall do. After all, your portrait should not feel like a root canal.

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“You Charge How Much!?”

In my last post I wrote about how I need to explain what my rate is and how it applies to each project. I thought that I should also explain what makes up a photographer’s rate and why it seems like it is so much when in fact it really isn’t as much as it seems.

I am almost always asked by a potential client, “what is your rate for…” which is often followed up with, “Wow, that seems like a lot just to take a picture.” Well, when I create an image for you I don’t just take a picture. First let me explain what goes into the actual image creation.sydni-web-013

There are multiple parts to each project whether it be a family portrait, or a series of Architectural photos of a newly constructed facility. They do have many things in common though. Each requires a consultation, the actual photo shoot, editing of the images, producing the images in either  electronic or print formats (or both), and finally delivery of the images themselves.  So how long does that actually take?

Task Time Average
Consulting 1.0 1.0
Shooting 1.5 – 3 2.25
Editing 17 min per image 11.3
Production 1.5 1.5
Delivery 1.5 1.5
Total Time Spent 17.6

You may not be interested in what the photographer makes per hour and for those of you reading this, I will summarize this up for you right here. If I deliver to you 45 finished images (my personal average) after  a 2.25 hour shoot, that comes to a total cost of 10 units (or dollars) per image. Not bad to have a professional photographer get you high quality results!

If you want to know more about the cost of photography, read on. It’s long but it is at the very least, interesting.

Some projects will take more time than others, setup and preparation has been excluded for this example. Most projects will take more time than is mentioned here but for the sake of argument I am going to go with an average of a 2.25 hour photo shoot. Those two and a quarter hours where you are working with me actually means a minimum of more than 17.5 hours of work including the time ‘behind the scenes.’

If we use the same rate I used in my last post of 200 units per hour and divide that by the 17.5 hours we arrive at an hourly rate of 25.72 units per hour. Not a bad hourly rate for an individual, however that’s not all there is. We have to look at how much it costs the photographer to actually create the images. In short, what are the expenses?

Many weekend warriors or Uncle Bob’s as many photographers call the faux pro photographer, don’t have some of the overhead that a pro has. An example is insurance and/or a studio. I do make my living from photography so I do have those expenses. I won’t go into a long dissertation of justifying them other than to say it is just good business and call it done. Besides, insurance protects both my clients and me!

So what are the real expenses? To be even more conservative I am going to use insurance as the only “soft” cost (mostly because I just paid that bill yesterday) and all the other costs are hard costs or the cost of physical equipment. These costs include, insurance, rent, lenses, cameras, lighting equipment, backgrounds/backdrops, stands for lights and backdrops, computers, software, printers and much, much more. Some of the things I am leaving out are marketing, websites, internet services, electricity, studio/office furniture, costs for assistants, accountant, and the list goes on.

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Each piece of equipment has a limited lifespan, my primary camera cost almost $5500 before I put a lens on it and it only has a limited amount of exposures before it has to be replaced. Lenses last much longer but also need to be replaced and updated. Computers and software has an average lifespan of about 18-24 months. Photographic equipment can last longer but the average is about 2-3 years before it is upgraded or replaced.

The average photographer has about 50,000 – 100,000 units in hard costs (equipment and space). If that needs to be replaced every 2 years the average annual cost is over 30,000 units a year.  Again, let’s be conservative and say that our photographer is the frugal type and can cut expenses in half to 15,000 units a year.

If I divide that expense by our hourly rate that we came to earlier of 25.72 units per hours worked it means that our photographer has to work 1166 hours a year to pay his expenses, we will call these Expense Hours. If you work a 40 hour week you work 2080 hours a year without vacation. If we subtract our expense hours of 1166 that leaves us with about 913 hours, multiply that by our rate of 25.72 per hour and our photographer makes 23,480 units per year take home.

Oh wait, we forgot that government wants a piece of that. In my area that piece comes to 47.25% in taxes, that includes, sales tax, Business Privilege taxes (which to means it’s not a privilege to do business here), income taxes for city, state, and federal; all that has to come out before we pay expenses. So let me redo those numbers one more time.

2080 hours @ 25.72 53,498
Taxes 25,251
Expenses 15,000
True Take home 13,247

 

 

 

In the United States that is well below the poverty level. So why do photographers do it? Because we love to create images, plain and simple. We have a passion that drives us to be creative and to make the images you want and need. We just love what we do and our goal is to have you love it too.

 

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Photography Rates Explained

I got a call this morning from a client that is also a friend and has known me forever. He has hired me in the past for his company (he is the owner) to do Architectural shoots so he knows my work and he knows how I make my living. Even though we have known each other since we were both in diapers he was surprised by my day rate.

“What are you doing!? Smoking crack!?” he said when I answered. “We can’t afford that much! I am offering you x amount of shoots and you want to charge us that much? No way!”

He wasn’t really protesting what I charge but how he thought I charged it. When I met with his art director a little over a week ago I quoted her my hourly rate and my day rate. When she talked to my friend on the phone she told him that I charge X per day, which I might add is correct. However my friend thought that was for every shoot. That part was not right.

I am going to say “units” rather than dollars, pounds, euros or whatever denomination just to keep this internationally friendly. Let me say here and now that these are not my actual rates and they are only made up to better explain how rates work, and to keep the math easy.

Let’s say my rate is 250 units an hour. I might offer a day rate of say 1600 to 1800 depending on travel, needs for assistants etc. for 8 (or more) hours on site. In reality that is actually a 10% – 20% discount over the hourly rate. Discounts a good!  Good for the client, good for me because the client likes to come back for the discount.

However my friend was upset because some of the projects he needs shot may only be a single state of the art room or a part of a new building. These things can be shot in as little as an hour. He was under the impression that the day rate was for any job or project. If that were the case I could live really well!

When I explained to him that smaller jobs didn’t mean a full day rate he was able to understand that in fact I did not have a crack pipe in my hand. I better explained to him that my day rate was for 8 or more hours (per day) of shooting on his bigger projects. The smaller projects would be  charged only by the hourly rate.

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Now in this case my friend was offering me a large number of projects that will in fact keep me fairly busy this year. Because he is a friend, but more so because he will guarantee me (in writing) all of these projects I offered him the discounted rate of 200 units per hour on all the projects not just the ones that take a full day. As long as he was getting his 20% off he seemed happy.

Historically photographers are not good at communicating verbally about business stuff. Many of us are more artistically oriented. What this (true) story tells me is that I and many of my colleagues need to spend more time communicating to our clients so they better understand things like rates. Although my friend was jumping to conclusions and that I had taken up crack smoking, it is my job to better explain how my rates work, why I do things in a certain way and most importantly, why doing them is a huge benefit to him and his business.

Next time I go into how rates break down, what you are actually paying per image, and how much a photographer really makes.

 

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